The production was filmed by cinematographer Larry Revene in a New York apartment. It is believed that the animal was brought in by a third party who was known for supplying dogs for such purposes. The film is relatively short, lasting only a few minutes, but its impact on Linda's psyche was permanent. Years later, in her autobiography Ordeal , she described the experience with palpable horror, stating: "I’m still not able to handle that day" . She recalled the dog looking at her with "beady-eyes," giving her the eerie sensation that the animal knew more about what was about to happen than she did.
In "Dogarama," Lovelace not only showcases her technical skill and creative vision but also her ability to tap into the zeitgeist of her era. The film stands as a testament to the power of experimental cinema to challenge, provoke, and inspire, offering a glimpse into a moment of significant artistic innovation in the late 1960s. Linda Lovelace Dogarama- 1969
Shadows Before the Spotlight: Unpacking the History of Linda Lovelace’s Dogarama (1969) The production was filmed by cinematographer Larry Revene
In this context, even if no gun was visible on the set of Dogarama , the power dynamic renders the concept of "consent" moot in the eyes of many scholars. Years later, in her autobiography Ordeal , she