James Jamerson Standing Shadows Motown Pdf 14 Verified Jun 2026

Jamerson frequently used chromatic passing tones to connect chord changes, a technique explored in the book's specific exercises.

: To kill sustain and mimic an upright bass, Jamerson kept a piece of foam under the bridge cover of his Fender P-Bass . Mastering the Curriculum

Many of Jamerson's nuances are subtle pitch variations and rhythmic pushes that cannot be fully captured in notation. Develop the ear to hear and replicate these subtleties. james jamerson standing shadows motown pdf 14 verified

Verified means: correct key, correct rhythmic notation, correct ghost notes, correct use of open strings vs. fingered notes—details often lost in amateur transcriptions.

Marking the dead notes that gave his playing its unique percussive drive. Jamerson frequently used chromatic passing tones to connect

Published in 1989, Standing in the Shadows of Motown did something revolutionary: it finally gave James Jamerson the public credit he was denied during his lifetime. In the 1960s and early 1970s, Motown’s house band, the Funk Brothers, went uncredited on the sleeves of major hits by Marvin Gaye, The Temptations, Stevie Wonder, and The Supreme.

Jamerson rarely moved from chord to chord in a straight line. He used chromatic approach notes on leading beats to create a sense of forward momentum. Develop the ear to hear and replicate these subtleties

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