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Performance guides for tackling the in the first movement shostakovich piano concerto 2 analysis
Harmonically, this movement is static. Shostakovich uses (repeated B-flats in the bass) to anchor the harmony while the treble explores dissonant suspensions. The melody is built on the descending chromatic scale (B-flat, A, A-flat, G, G-flat, F). This "lament bass" is reminiscent of Baroque opera, but Shostakovich treats it with cinematic detachment. This public link is valid for 7 days