: Listeners often note better instrument definition and a wider, deeper soundstage compared to standard FLAC files.
This is where the debate gets theological. Nyquist's theorem suggests 44.1kHz captures the human hearing range (20Hz-20kHz) perfectly. However, 96kHz captures ultrasonic frequencies (up to 48kHz). While you cannot "hear" a 30kHz tone, the theory of intermodulation suggests that ultrasonic content can create harmonic distortions that fall into the audible range. On Dangerous , this manifests in the shimmer of the hi-hats on "Remember the Time" and the attack of the synthesized bass on "Jam." The 96kHz version has a more "air" and space around the transients. Michael Jackson - Dangerous -2014- -FLAC 24-96-
It is important to note that this is a modern remaster. While the 24/96 format allows for incredible dynamic range, the mastering job (spearheaded under the supervision of the Estate) is still fairly "hot." It is not a return to the completely untouched dynamic range of the original vinyl pressing. However, because of the high bit-depth, the clipping and distortion that plague some modern remasters are largely mitigated. It is punchy and radio-ready, but retains enough dynamic swing to satisfy critical listening. : Listeners often note better instrument definition and
: The 24/96 resolution highlights the "super-clear modern sound" of the original sessions, particularly the sharp transients of the percussion and complex layering of backing vocals. However, 96kHz captures ultrasonic frequencies (up to 48kHz)
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