This is the most artistic phase. A colorist works with the original Director of Photography (if available) to match the digital scan to the original film print.
For archivists, the challenge lies not in resolution, but in handling the physical film’s curl, splice tears, and the sheer data throughput. Yet when done correctly, an IMAX film scan yields imagery that humbles even the most advanced digital cameras: sharp, luminous, and breathtakingly alive. imax film scan
What does the future hold for scanning these analog giants? This is the most artistic phase
Only a few specialized scanners in the world can handle 15/70mm film at native resolutions. Yet when done correctly, an IMAX film scan
Once the raw scan is complete—often into uncompressed file sequences like —the digital files enter the post-production pipeline. Tools like DaVinci Resolve are used for frame-by-frame restoration, removing dust and scratches, stabilizing shaky footage, and performing the final color grading to create the master copy that will be shown in theaters or streamed into homes.
Often used for fast proxy workflows or budget-conscious television deliverables. It captures the framing but loses the micro-textures.