Alter the luminance (brightness) and saturation of specific color vectors simultaneously as you shift their hue.
For the cleanest mathematical calculations, place the HueShift DCTL within a unified color space. If you are grading in a Rec.709 timeline but using a DaVinci Wide Gamut (DWG) workflow, place the HueShift node after your Input Device Transform (IDT) and before your Output Device Transform (ODT). Master Skintone Normalization
Inside, you will find the .dctl file(s) and potentially a user manual or preset files. Step 2: Move to the DaVinci Resolve LUT Folder
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