One of Kusama's most iconic series is her "Infinity Rooms," which she began creating in the 1960s. These small, enclosed spaces are filled with twinkling lights, mirrors, and colorful patterns, creating an immersive and disorienting experience for the viewer. The Infinity Rooms represent Kusama's fascination with the infinite and the universe, as well as her desire to transcend the boundaries of the self.
Nihonga is a demanding discipline. It uses natural pigments derived from minerals, shells, and coral, bound with animal glue (nikawa). This technique requires immense patience; layers are built slowly, and the artist must accept that the final color will differ from the wet pigment. This slow, meditative process is the DNA of Yayoi Yoshino’s later work. yayoi yoshino
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There is something profoundly sad about watching a person on a screen, walking toward a fate they cannot see. She looks like anyone else—head down, perhaps checking the time, moving with purpose. It is a reminder of how vulnerable we are when we step out our front doors. We trust that the world will return us home safely, and for most of us, it does. For Yayoi, that social contract was broken. Nihonga is a demanding discipline