The Bodyguard 2004 Extra Quality
In the landscape of early 2000s Southeast Asian cinema, Thailand was quickly establishing itself as a powerhouse of visceral action, driven largely by the massive global success of Ong-Bak (2003). While Tony Jaa was redefining martial arts cinema, another talent from that same creative circle, (affectionately known as Mum Jokmok), was crafting a very different kind of blockbuster.
Below is a draft paper outline and key analysis points for the film. I. Introduction the bodyguard 2004
